So I just created a Twitter account. Have you noticed that the site is incredibly slow? Like, absurdly slow? This is a site that’s nothing but text. How can it take 30 seconds or more just to load a page? I thought this was the future, dammit!

In other news, I saw Ghostrider over the weekend and it was, well… Nicholas Cage was abysmal. I believe there’s a place for Mr. Cage, and bad movies is definitely it, but this wasn’t the bad movie for him. He is old and has fake hair and was not fun to watch. He was entertaining in Face/Off and Raising Arizona and Con Air, but this was not the vehicle for him. At this stage in his career, he should stick to movies where he doesn’t have to make out with women under 40 or play a badass. When he was all CGI and on fire it was pretty fun, though. The villains were, for the most part, stupid and boring. The climactic scene was a huge letdown. The first scene where he turns into Ghostrider was the best part of the movie, except for when his dad–SPOILER–died.

Anyway: although the movie was put together with sequels in mind and it made enough money that I’m sure they’re greenlighting one right now, I really hope that they decide to replace Cage with someone who can credibly play a man who doesn’t have osteoporosis.

And that’s my review of Ghostrider. Hey, they can’t all be coherent.

 

In the mean time, I provide you with this lovely quote from a story about Derek Jeter breaking up with Alex Rodriguez :(

“The reality is there’s been a change in the relationship over 14 years and, hopefully, we can just put it behind us,” Rodriguez said. “You go from sleeping over at somebody’s house five days a week, and now you don’t sleep over. It’s just not that big of a deal.”

During the offseason, former Yankee Darryl Strawberry said Jeter needs to “embrace” Rodriguez.

In theory, this story is about how they’re not friends anymore, but to me it has a slightly different ring to it…

[ESPN]

 

Anyone who has ever performed stand-up is familiar with the red light, the universal signal that warns dawdlers it’s time to wrap things up. In the ’80s, comics at the Hollywood Improv came up with a novel use for the light. When shining steadily, it had the conventional meaning. But if the bulb began sputtering, it was the comedic equivalent of an air-raid siren, warning performers to lock up their original material immediately unless they wanted to lose it to a master thief.

Robin Williams, comedy’s most notorious joke rustler, was in the house.

Though the rap has followed Williams for years, he’s not alone. In the world of stand-up, joke-jackers are as common as exposed brick walls and liquored-up hecklers—an occupational hazard that eventually robs every working comic of time-tested material. It’s the dirty little secret of the comedy world, a crime committed at every level—from amateurs at open mikes to big-name pros on late-night TV. Though rarely discussed outside the clubby, if sharp-elbowed, comic community, the subject is the surest way to wipe the grin off a funnyman’s face. Daily Show correspondent Demetri Martin learned the lesson during his first year on the circuit, when he watched in horror as a comic brazenly recycled a joke he had told the previous evening. “I thought, Jeez, this is how it works?” he recalls.

So begins Take the Funny and Run, a story about plagiarism in Radar Magazine. The reporter actually–gasp–did some research for this one, talking to a bunch of comics and others from the business. The story makes the argument, pretty convincingly, that plagiarism in comedy is not a cut-and-dried offense–to a degree, people have been stealing each other’s material for decades, and some comedians seem to consider it part of the cost of doing business. And, for that matter, the case against some of the most notorious joke-thieves is a lot weaker than it may seem (there’s a very interesting rundown on Denis Leary, who’s been accused, persuasively, of highjacking Bill Hicks’s entire career). Anyway, if you are one of the few people who’s been following this Ned “Carlos Mencia” Holness fiasco, I think you’ll enjoy the article.

[Fimoculous]

 

No time for a full post, but there’s a new development in the Mencia as joke-thief story. The following confrontation is filled, filled, with obscenities and bad editing. Happy Valentimes!

Joe Rogan’s description here. [Defamer]

 

Scissor Sisters – She’s My Man

Some pretty impressive and deeply weird puppetry going on here.

[Table of Malcontents]

 

Have you ever taken a horrible stereotype, applied it, and been shamed into realizing the error of your ways? Well let’s just say that doesn’t happen in this clip:

The saddest part is how for a brief moment it actually appears that the butt of the joke (the owner of the gas station) appreciates the irony–she describes it as a “hick town” and more or less nails the premise (that the guys are baiting the rednecks). But then she calls in the rock-throwing country bumpkins and sets back America’s international reputation yet again. It’s hard to like anyone in this video, though; if you’re going to try to get each other killed, it’s no fair wiping off the paint when it looks like you might actually succeed. And honestly, “rubbish”? Are you havin’ a laugh? Maybe that kind of language flies in Wee Britain, but in the US of A we call it “trash.”

In summary: America = dumb hicks. Britain = mincing pansies.

[Dethroner]

 

Tom and Lauren both happened to mention recently how Carlos Mencia is an unfunny, hateful ignoramus (I may be paraphrasing). Tom helpfully pointed me toward links suggesting that his real name is “Ned Holness” and that he’s not, in any technical sense of the word, even slightly Mexican. Also, the Fear Factor contingent believes that he steals his material, which is scary because if that’s how it sounds when he steals other people’s material, imagine how awful his own stuff must be. Anyway, I don’t have anything else to say but it’s been a while since I chimed in about how Carlos Mencia is just terrible and it’s insane that people keep throwing money at him to inflict his unique combination of bigotry and ham-handed “social commentary” on the world.

On the other hand, his Super Bowl commercial (in which he hilariously taught immigrants to say things and their accents were SO FOREIGN!) was his best work in years.

 

Sean Taylor clearly has no sense of right and wrong. This is hilarious.

[Deadspin]

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